The Women, Law, and History Reading Group is open to faculty, staff, and students. Meetings are located at the Newcomb Institute offices on the third floor of The Commons. Please join as us we discuss They Didn't See Us Coming: The Hidden History of Feminism in the Nineties by Lisa Levenstein. "A revisionist history of the origins of contemporary feminism, They Didn’t See Us Coming shows how women on the margins built a movement at the dawn of the Digital Age."
The Women, Law, and History Reading Group is open to faculty, staff, and students. Join us to discuss Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper. Eloquent Rage has been described as "a powerful examination of Black women’s anger, the cost for Black women who choose to be angry, and how all of this is rooted in misogynoir – or, racist and sexist oppression. Cooper gives us hope, reminding us that we can be powerful and we don’t have to settle for less." (Signature)
The Women, Law, and History Reading Group welcomes faculty, staff, and students. Join us in our discussion of Conflict Is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair by Sarah Schulman. "Conflict Is Not Abuse is a searing rejection of the cultural phenomenon of blame, cruelty, and scapegoating, and how those in positions of power exacerbate and manipulate fear of the 'other' to achieve their goals."
Khadijah Queen is the 2021 Arons Visiting Poet.
Khadijah Queen is the author of six books of poetry, most recently Anodyne (Tin House Books 2020); I'm So Fine: A List of Famous Men & What I Had On (YesYes Books 2017), a finalist for the National Poetry Series, which was praised in O Magazine, The New Yorker, Los Angeles Review, and elsewhere as “quietly devastating,” and “a portrait of defiance that turns the male gaze inside out.” Earlier poetry collections include Conduit (Akashic / Black Goat 2008), Black Peculiar (Noemi Press 2011) and Fearful Beloved (Argos Books 2015). Her verse play Non-Sequitur (Litmus Press 2015) won the Leslie Scalapino Award for Innovative Women's Performance Writing. Individual poems and prose appear in Poetry, Fence, Tin House, American Poetry Review, Buzzfeed, Gulf Coast, Poor Claudia, The Offing, jubilat, Memoir, Tupelo Quarterly, DIAGRAM, LitHub, New Delta Review, The Force of What's Possible and elsewhere. Her 2019 op-ed on poetry and disability, co-edited with Jillian Weise, appeared in The New York Times.
Queen received her Ph.D in English from the University of Denver, and her MFA in Creative Writing from Antioch University. She is an Assistant Professor of creative writing at University of Colorado, Boulder, and serves as core faculty for the Mile-High MFA in creative writing at Regis University.
Brit Bennett reading and interview as the Zale-Kimmerling writer-in-residence.
Born and raised in Southern California, Brit Bennett graduated from Stanford University and later earned her MFA in fiction at the University of Michigan. Her debut novel The Mothers was a New York Times bestseller, and her second novel The Vanishing Half was an instant #1 New York Times bestseller. She is a National Book Foundation 5 Under 35 honoree and in 2021, she was chosen as one of Time’s Next 100 Influential People. Her essays have been featured in The New Yorker, the New York Times Magazine, The Paris Review, and Jezebel.
The Zale-Kimmerling Writer-in-Residence Program brings renowned woman-identified writers to the Tulane campus. Coordinated through the Newcomb Institute, the Zale-Kimmerling Writer-in-Residence program was established by Dana Zale Gerard, NC ‘85, and made possible by an annual gift from the M.B. and Edna Zale Foundation of Dallas, Texas. Since 2006, the program has been generously supported by Barnes & Noble College Booksellers. In 2010, the program became fully endowed through a gift from Martha McCarty Kimmerling, NC’63, and known as the Zale-Kimmerling Writer-in-Residence program.
For more information on Brit Bennett, please visit www.prhspeakers.com